Часовня Иконы Божией Матери Всех Скорбших Радости

The Часовня Иконы Божией Матери Всех Скорбших Радости, also known as the Chapel of the Icon of the Mother of All Comforts, was constructed in 1998. This Russian Orthodox chapel is a notable example of modern architecture and serves as a place of worship for the local community.

Architecture

The chapel's design is characterized by its simple yet elegant style, which reflects the traditional Russian Orthodox architectural elements. The building's exterior features a distinctive red-brick façade with a prominent clock tower, adding to its striking appearance.

Location

The chapel is situated at Пятницкое шоссе in Отрадное, Russia. Its proximity to the town center makes it easily accessible for visitors seeking spiritual solace or simply interested in exploring local landmarks.

Denomination and Religious Significance

As a Russian Orthodox chapel, the Часовня Иконы Божией Матери Всех Скорбших Радости is an integral part of the country's rich religious heritage. The chapel serves as a place of worship for the local community, providing a serene environment for prayer and contemplation.

Architect and Notable Features

Unfortunately, information on the architect responsible for designing the chapel is not available.

Organ and Bells Information

The chapel features an organ, which is occasionally used during services and special events. However, detailed information about the organ's specifications or maintenance schedule is not publicly available.

Heritage Status

Although specific heritage designations are not mentioned in available data, the chapel's cultural significance within the local community is undeniable.

Visiting Information

The chapel is open to visitors, although its opening hours may vary depending on the day of the week. Due to limited information, it is recommended that visitors contact the chapel directly for more detailed information regarding visiting hours and accessibility.

Notable Artworks or Relics

Unfortunately, no notable artworks or relics are mentioned in available data, leaving the chapel's interior design largely unremarked upon.